“Abstract Minded” Curator Soiree with Osi Audu & Laurie Ann Farrell

When:
November 18, 2017 @ 2:00 pm – 5:00 pm
2017-11-18T14:00:00-05:00
2017-11-18T17:00:00-05:00
Abstract Minded Curator Soiree
with Osi Audu, exhibition curator &
Laurie Ann Farrell, 
curator of contemporary art at the DIA 
Date:  Saturday, November 18, 2017
Time: 2:00pm – 5:00pm
Location: Detroit, MI – The N’Namdi Center for Contemporary Art, 52 E. Forest Ave.
Abstract Minded curator and artist Osi Audu and the Detroit Institute of Arts’ curator and department head of contemporary art, Laurie Ann Farrell discuss the artists, exhibition, and influence of the African Diaspora on contemporary art at this intimate afternoon event. 

Refreshements will be served.

Abstract Minded: Works by Six Contemporary African Artists” showcases explorative works by Osi Audu, Nicholas Hlobo, Serge Alain Nitegeka, Odili Donald Odita, Nnenna Okore, and Elias Sime that thematically or conceptually connect to the continent of Africa by pursuing the use of abstraction as a way of engaging the broader conversation about art. The exhibition will be on display through January 6, 2018.

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Osi Audu
Osi Audu is a Nigerian born artist whose work explores the intersections of scientific, cultural and philosophical ideas about the nature of consciousness. His work, which has been shown in numerous international exhibitions including the Kwangju Biennale in Korea, the Africa Africa exhibition in Japan, and the Museum of the Mindexhibition at the British Museum in London; has also been collected by a number of public institutions such as the Newark Museum in New Jersey, The National Museum of African Art in Washington DC, the British Museum, and the Horniman Museum in London. He has presented papers and talks about his work at several international conferences such as the 16th ACASA International Triennial Symposium on African Art at the Brooklyn Museum, New York; The Human Image conference at the British Museum in London, Conversations with a Continent: FIVE AFRICAN ARTISTS at Columbia University in New York; and Next Wave Nigeria: Artists Dialogue at the Newark Museum. His article –Yoruba Concept of the Mind was published in the 2nd edition of The Oxford Companion to The Mind, edited by Richard Gregory. He was a lecturer in Painting and Drawing at the University of Benin for 9 years, and the Head of Art and Design at Sir Joseph Williamson’s Mathematical School in the UK for 11 years. He received an MFA degree in Painting and Drawing from the University of Georgia in Athens, Georgia.  He lives and works in New York.

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Laurie Ann Farrell
Farrell came to the DIA in 2016 in from the Savannah College of Art and Design (SCAD) where she was executive director of exhibitions initiatives. She directed exhibition programming for the SCAD Museum of Art and SCAD FASH, its museum of fashion and film, as well as the university’s galleries in Atlanta, Hong Kong and Lacoste, France. Farrell is currently an art consultant for the new Mercedes-Benz Stadium Art Collection in Atlanta and curator of the first Rolls-Royce art program in North America.
Farrell has curated exhibitions of work by a diverse group of prominent contemporary artists, among them Marina Abramovic, Doug Aitken, Carrie Mae Weems, Yinka Shonibare, Alfredo Jaar, Michael Joo, Sigalit Landau, Stephen Antonakos, Cao Fei, Kader Attia and Yeondoo Jung.
Farrell was curator of contemporary art at the Museum for African Art in New York City from 1998 to 2007, where she curated the exhibitions “Personal Affects: Power and Poetics in Contemporary South African Art” and “Looking Both Ways: Art of the Contemporary African Diaspora.”
In 2006, Farrell organized American participation at Angola’s inaugural Trienal de Luanda with support and funding from the U.S. Department of State. Farrell received the Abraaj Capital Art Prize with artist Kader Attia in 2010, the ArtTable New Leadership award in 2011 and the Southeast Museum Conference 2015 Museum Leadership Award. Farrell is widely published in art journals and has lectured throughout the Americas, Africa and Europe. She earned a Bachelor of Fine Arts in art history from the University of California, Santa Barbara, and a Master of Fine Arts in art history and theory from the University of Arizona.


Osi Audu’s curatorial abstract:

“Abstraction is as indigenous to African visual culture as it is to other parts of the world. The exploration of purely formal elements is not only readily evidenced in the rich traditions of textile designs and other decorative practices from the continent, but is also present in the stylizations of much figurative work from Africa. The six artists in this exhibition, all born and, or raised in countries in Africa, produce work thematically or conceptually connected to the continent by pursuing the use of abstraction as a way of engaging in a broader conversation about art. In our increasingly global existence of the 21st century the world is becoming less and less exotic, and is being experienced more as a sphere of commonalities of being, dreams, fears and aspirations.

Cultural ideas once thought as discrete are now being understood as archetypical, having resonances across the wider world. Aesthetic engagement with form is as important a part of the content of these artists’ works as is their symbolic, historical, socio-political, or conceptual significance.

Among the many questions raised by this exhibition, the overarching one must be the dialectical question:

what is contemporary African art?

Abstract Minded: Works by Six Contemporary African Artists is not simply about looking for the African in African art, it is also about taking a look at what some African artists are doing today in order to get a fuller sense of the current ‘state of things’ in contemporary African art.”  –

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